The National Museum of Fine Arts has reopened to the public, after 70 years, the rooms for the Guerrico Collection, which include ivory pieces, vases, silver pieces, and a group of European sculptures and paintings from the 19th century, which from now on are an integral part of the permanent collection of the museum

Considered as the first Argentine collector, Manuel José de Guerrico (1800-1876) started to build his art collection at his home in Paris, which he brought to Argentina in 1848. It was later enriched by his son José Prudencio (1837-102), who donated 22 pieces with the purpose of contributing to the creation of the National Museum of Fine Arts in 1859. In 1938 the whole of the collection, that is now on exhibition, was donated to the museum by the descendants of both collectors. It was composed of 627 pieces: paintings, sculptures, miniatures, porcelains, boxes, fans, lacquers, ivories, crystals, wood carvings, silver pieces. On that year the collection was in exhibition for a while and then put away in the deposit. Today the pieces of this collection are exhibited again in a room especially built to recreate the way in which art collections were displayed at the end of the 19th century, with dim lights and dark walls.





Some of the outstanding pieces of the collection are: works from the Barbizon School; "The sacrifice of Melquisedec"; scenes from the Flemish genre; religious Italian and Spanish paintings; "Monk praying", by Francisco Zurbarán; "Diana Surprised" (picture), by Joseph Lefebvre; "The murder of Dr Manuel Vicente Mazza", by Prilidiano Pueyrredón, "Portrait of André Gil" and "Rocks", by Gustave Courbet; "Ville d`Avray", by Camille Corot, among others. There are also some works from previous centuries, like "Hebrews picking up Manna in the desert", by Giovanni Tiépolo (1692-1769).

Among the sculptures, a dozen of anonymous bronzes from the 17th and 18th centuries; some pieces by artists like Gustave Doré and Antonio Tantardini; and the work "La defense" by Auguste Rodin, along with Japanese carvings, or silver Argentine "mates" from the colonial times.

Galería Güemes is one of the most beautiful hidden gems of Buenos Aires. Thousands of people walk by it every day, since it is located in the busiest pedestrian street in Buenos Aires, but most of them are unaware of the beauty this building offers inside, since the entrance on Calle Florida 165 is completely unappealing. Its back entrance on San Martín 170, however, still retains its original glory.

Galería Güemes is considered to be the first skyscraper built in Buenos Aires, with its 14 floors and 87 meters high. It was inaugurated in 1915, featuring technical advances for the time, almost futuristic, and comprising a variety of functions in its interior: a theater, a cabaret, and a restaurant underground; apartments over Calle Florida; offices over San Martin; another restaurant with an observation deck on the 14th floor; and a 116 meter long commercial gallery on the ground floor, which connects both streets, inspired in the great covered passages and commercial galleries of the time, especially the Galleria Vittorio Emmanuele in Milan. Its apartments were home to some outstanding personalities, like French writer Antoine de Saint-Exupery, author of "The Little Prince", and Argentine writer Julio Cortazar.

The architecture is a mix of Art Nouveau, Gothic, and Neoclassical, and was the creation of Italian architect Francisco Gianotti. Galeria Güemes is considered as one of the most representative examples of Art Nouveau architecture in Buenos Aires, with its beautiful marble columns and stairs, bronzes, glass domes, and ornate elevator banks.

The building suffered the neglect and lack of maintenance for decades, but a recent restoration brought the building back to its magnificent splendor, including the recovery of the original glass domes, the repairing of Italian marbles brought for its construction in 1914; the conditioning of the numerous hand made bronze pieces, with a special polishing to regain their original shine. These restoration works have won a Special Mention for the restoration of the Glass Domes at the 2006 Ibero-American Prize for the Best Intervention in the Built Patrimony.

The Art Nouveau underground theater was closed for nearly 40 years, but was also recently restored and today houses the Piazzolla Tango show, one of the most beautiful Tango palaces in Buenos Aires.

There are guided visits to the observation deck on the 14th floor every Thursday at 4 pm.
Galería Güemes official website

This is in my opinion one of the most beautiful monuments in Buenos Aires, not only for its magnificence, but also for its location, in the intersection of two wide boulevards: Avenue del Libertador and Avenue Sarmiento in Palermo.

Its real name is "Magna Carta and the Four Argentine Regions", but everybody knows it as "El monumento de los Españoles" (The Monument to the Spaniards). It was donated in 1910 by the Spanish community for the centenary of the May Revolution. But the construction suffered several problems. The first sculptor and winner of the design contest, Agustin Querol, died in 1909, and his creation had to be continued by another artist, Cipriano Folgueras, who also died shortly after. The work was even more delayed when the Spanish ship which brought the bronze pieces sunk on March, 1916 in the Brazilian coast, and replicas had to be ordered to Spain, which were finished in 1918. The monument was finally inaugurated on May 25, 1927.


The monument is made on a 24.5 meters high Carrara marble column, and symbolizes those things Argentina has in common with Spain (language, religion, work and lineaje). It is crowned by an enormous statue that represents the Republic or the Constitution, and raised over a fountain surrounded by groups of sculptures that represent Labour, and the regions of The Andes, The Plata, The Pampa, and Chaco.

La Isla (The Island), enclosed between Gelli y Obes, Copérnico, and Galileo streets in Recoleta, is dominated by sophisticated and high class buildings and embassies. Due to its particular layout, with stairs and slopes, this spot is almost free of traffic and noise. All these features make this one of the most exclusive and upscale areas in Buenos Aires.






This peaceful retreat was once a country estate owned by the Hale Pearson family, with an English style park. Around 1910 the estate was sold and divided into different plots of land, and the final design was performed by architect Bouvard, director of Parks in Paris. From the original estate is the present British Residence building, a landmark of La Isla: